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Greek Sculpture: The Archaic Period (World of Art)
: John Boardman
: Greek Sculpture: The Archaic Period (World of Art)
: Oxford University Press
: 1978
: PDF
: 254
: English
: 52 MB

This is the last in the series of Sir John Boardman's acclaimed handbooks on Greek sculpture; a sequel to similar volumes on the Archaic and Classical periods. Here, the story continues through the fourth century B.C. to the days of Alexander the Great. The innovations of the period are discussed, such as the female nude and portraiture, along with many important monuments including the Mausoleum of Halicarnassus and several of the great names such as Praxiteles and Lysippus who were lionized by later generations. The volume also presents Greek sculpture made in the colonies of Italy and Sicily from the Archaic period onwards, as well as that made for eastern, non-Greek rulers. A final section considers the role of Greek sculpture in moulding western taste to the present day.
: bakerman 13-04-2016, 17:20 | : 0 |
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: yunik77 13-04-2016, 04:50 | : 0 |
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: 2012
: pdf
: 241
: 31 mb
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: na5ballov 12-04-2016, 15:32 | : 0 |
Vuillard
: John Russell
: Vuillard
: New York Graphic Society
: 1971
: PDF
: 248
: English
: 38 MB

In this many-sided portrait of one of the most important post-impressionists, Edouard Vuillard (i 868-1940) is reestablished not merely as the most delectable of the "Intimist" painters, but as a master of large-scale decorative art.
: bakerman 12-04-2016, 11:11 | : 0 |
Velazquez (The Life and Work of the Artist)
: Emma Micheletti
: Velazquez (The Life and Work of the Artist)
: Grosset & Dunlap
: 1968
: PDF
: 124
: English
: 17.3 MB

Diego de Silva Velazquez, usually known by his mother's name, Velazquez, was born in Calle de la Moreira, Seville, in 1399, and baptized in the parish church of San Pedro on 6 June. His father, Don Juan Rodriguez de Silva y Rodriguez, was the son of a Portuguese hidalgo, who may have moved from Seville to Oporto in the mid-sixteenth century; his mother Jeronima Velazquez was from Seville. Like many young men from good families, he probably had a thorough literary education, and all his life kept up his faith in the world of culture, particularly the classical. His library was evidence of this: greatly superior to those of most painters of his time, it was rich in poetry, religion, medicine, engineering and mathematics, and especially in works by Aristotle, Horace, Ovid, Pliny, and by Ariosto, Castiglione, Vasari, Vesalio and Diirer. It seems clear that he developed a special interest in architectural treatises, from Vitruvius to Alberti, Scamozzi, Serlio, Palladio and Vignola. All this suggests that the young Velazquez had a good, rigorous and well-balanced formal education. Perhaps encouraged by his cultivated master, Francisco Pacheco, he formed his roots in the fundamental principles of the Italian Renaissance.
: bakerman 12-04-2016, 11:07 | : 0 |
Pierre Bonnard
: John Rewald
: Pierre Bonnard
: Museum of Modern Art
: 1948
: PDF
: 162
: English
: 24.5 MB

Pierre Bonnard (3 October 1867 23 January 1947) was a French painter and printmaker, as well as a founding member of the Post-Impressionist group of avant-garde painters Les Nabis. Bonnard preferred to work from memory, using drawings as a reference, and his paintings are often characterized by a dreamlike quality. The intimate domestic scenes, for which he is perhaps best known, often include his wife Marthe de Meligny.
: bakerman 12-04-2016, 11:03 | : 0 |
Michelangelo: The Complete Sculpture
: Frederick Hartt
: Michelangelo: The Complete Sculpture
: Harry N. Abrams
: 1968
: PDF
: 320
: English
: 68.7 MB

With an engaging text by renowned Michelangelo scholar William E. Wallace, Michelangelo: The Complete Sculpture, Painting, Architecture brings together in one exquisite volume the powerful sculptures, the awe-inspiring paintings, and the classical architectural works of one of the greatest artists of all time. Including everything from his sculptures Pietàs and David to his beautiful paintings of the Sistine Chapel and the Doni Tondo, the book provides an opportunity to view Michelangelo's work as never before, and to more fully understand the artist who, through his work, spoke of his life and times. The frescoes are specially printed on onion skin paper to recreate the actual appearance of light reflecting off of the plaster walls. The stunning black-and-white photography of the sculptures is printed in four colors to bring out the rich details of the marble.
: bakerman 12-04-2016, 10:07 | : 0 |
The Sistine Chapel: Its History and Masterpieces
: Vittorio Giudici
: The Sistine Chapel: Its History and Masterpiece
: Peter Bedrick Books
: 2000
: PDF
: 54
: English
: 12 MB

For five hundred years the Sistine chapel has been one of the most important places tor the Christian faith and for the entire history of art. The paintings that cover the walls and ceiling of the chapel are unique masterpieces portraying the story of humanity as intended by God, from the Creation to the Last Judgement. Many prominent figures have contributed to the construction, decoration and history of the chapel. Two popes of the Delia Rovere family, Sixtus IV and Julius II, more than anyone else, were responsible for making the chapel into the building we know today. The artists who gave expression to their projects were some of the greatest names in 15th-century painting Perugino, Botticelli, Signorelli and Ghirlandaiobut the real giant among them was Michelangelo Buonarroti, the creator of the ceiling frescoes and the Last Judgement. In recent years master craftsmen have contributed to restoring these frescoes to their original splendor.
: bakerman 12-04-2016, 10:02 | : 0 |
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: 2003
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: 1970
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: na5ballov 11-04-2016, 18:12 | : 0 |
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