#1: ADVENTURES IN RHYTHM - CARRYING OVER THE BAR
#2: ADVENTURES IN RHYTHM - TRIPLETS
#3: ALTERED DOMINANT SCALE
#4: ARPEGGIATING THROUGH THE CHANGES
#5: BILL EVANS VOICINGS
#6: BRAZILIAN COMPING - BOSSA NOVA
#7: BRAZILIAN COMPING - SAMBA
#8: BUILDING YOUR CHOPS
#9: CHROMATICISM I
#10: CHROMATICISM II
#11: CUBAN MONTUNOS - CHA-CHA PATTERNS
#12: CUBAN MONTUNOS - MABO PATTERNS
#13: DIMINISHED SCALES
#14: DOMINANT CYCLE PROGRESSION
#15: EXOTIC SCALES
#16: FUNKY COMPING
#17: GOSPEL CHORDS
#18: LATIN IMPROV IDEAS I
#19: LATIN IMPROV IDEAS II
#20: LATIN JAZZ - AFRO-CUBAN 6/8
#21: LATIN STRIDE PATTERNS
#22: LEFT-HAND STRIDE TECHNIQUE
#23: MAJOR BLUES SCALE
#24: MELODIC CONTOUR
#25: MELODIC SEQUENCE
#26: MINOR IIo-V-I MELODIC IDEAS
#27: MOTIVES AND THEIR DEVELOPMENT
#28: ODD METER
#29: ORCHESTRATING TWO-HANDED VOICINGS
#30: PHRYGIAN SOLO IDEAS
#31: PRACTICING THE MODES IN EVERY KEY
#32: REHARMONIZATION
#33: RHAPSODIC ADVENTURES - LONG MELODIC RUNS
#34: SECONDARY LEADING TONES
#35: TAKING IT OUT - CHROMATIC SEQUENCE
#36: TAKING IT OUT - SUPERIMPOSED HARMONIES
#37: THE #11 CHORD
#38: THE HIERARCHY OF NOTES AND CHORD TONES
#39: 16TH-NOTE LINES
#40: THE WHOLE-NOTE SCALE
#41: INTERPRETING A LEAD SHEET
#42: II-V-I VOICINGS: MAJOR/CLOSE POSITION
#43: II-V-I VOICINGS: MINOR/CLOSE POSITIONS
#44: DROP-2 VOICINGS
#45: ALTERED CHORDS
#46: TRITONE SUBSTITUTION
#47: LINEAR CADENCE
#48: DIMINISHED 7TH CHORDS
#49: UTILIZING CHORD TONES IN AN IMPROVISATION
#50: NON-HARMONICS - NEIGHBOR TONES
#51: NON-HARMONICS - CHANGING TONES
#52: NON-HARMONICS - PASSING TONES
#53: MELODIC MINOR SCALES - FOUR APPLICATONS
#54: SCALE-TONE TRIADS & 7TH CHORDS
#55: MELODIC SETS
#56: RHYTHM STREAMS
#57: MOTIVIC ETUDES
#58: SCALE-TONE VOICING
#59: SIMPIFYING EXTENSIONS WITH POLYCHORDS
#60: DROP-2 TONICIZING DIMINISHED 7TH CHORDS
#61: PENTATONIC SCALES
#62: INTRODUCTION TO THE BLUES
#63: BLUES LICKS
#64: BEBOP BLUES
#65: WALKING BASS LINES
#66: LOCKED HANDS
#67: POWER VOICINGS
#68: EXTENDED ALBERTI
#69: PEDAL POINTS
#70: TONICIZATION
#71: TURNAROUND PROGRESSIONS
#72: CHORD OF OMISSION
#73: THREE-NOTE VOICINGS
#74: EXTENDED HARMONY
#75: LEFT-HAND COMPING
#76: USING 3RDS AND 7THS IN THE LEFT HAND
#77: QUARTAL HARMONY
#78: FIVE-PART BALLAD VOICINGS
#79: BOOGIE-WOOGIE
#80: ROOTLESS VOICINGS
#81: USING DIMINISHED SCALES
#82: SWINGIN' IT
#83: INDRODUCTION TO RHYTHM CHANGES
#84: INTRODUCTIONS
#85: ENDINGS
#86: CREATING AN ARRANGEMENT
#87: MEMORIZING SONGS
#88: UTILIZING UPPER STRUCTURES IN A SOLO
#89: INNER-OUTER CONCEPT
#90: COMBINING CONCEPTS
#91: CALL AND RESPONSE
#92: JUMPING TRACKS
#93: THE EXTENSION DIMENSION
#94: SEQUENTIAL ESSENTIALS
#95: THE TROUBLE WITH SCALES
#96: MODES IN JAZZ
#97: PENTATONIC TO MIXOLYDIAN
#98: MANY SCALES OVER ONE CHORD
#99: DOMINANT CHORD? MELODIC MINOR
#100: ENCLOSURE TIME